BRIAN KENNY

MY ROMANTIC IDEAL a group exhibition of queer photography curated by Slava Mogutin opens at The Bureau of General Services, Queer Division, LGBT Center in NYC

Brian KennyComment

I’m honored and excited to be a part of this fantastic summer group exhibition in Manhattan with so many truly brilliant queer artists. For my part, I am showing two self-portraits from my 2009 series “Night Moves”

Curatorial statement by Slava Mogutin:

My Romantic Ideal is a queer photography exhibition that explores the intersections of intimacy, desire, and identity in the contemporary landscape of escalating culture wars, with state-sponsored, religious and corporate homophobia and censorship on the rise on both sides of the Atlantic.

As queer artists, we occupy spaces where love and lust collide, where fantasy and reality dissolve, and where the body becomes both a site of pleasure and protest. This collection of work from 28 emerging and established photographers—each with their unique vision, background, and experience—offers a kaleidoscopic view into the multifaceted and often contradictory nature of queer romance.

The title of the exhibition reflects the tension between societal expectations of romance and the deeply personal, rebellious, and liberating expressions of love and desire that queer artists present. Romantic ideals have historically been dictated and shaped by heteronormative frameworks, but here, we subvert and redefine them through a queer lens. Each artist challenges, queers, and reclaims the concept of romanticism in their own way, whether through intimate portraiture, raw documentation of lived experiences, or surreal, dreamlike compositions.

As a curator, I aimed to gather a selection of artists whose work resonates with the complexities of queer love, desire, and identity in their many forms. These photographers are not simply documenting a queer reality—they are creating new paradigms of romanticism, fueled by their journeys and passions. Together, their works form a vibrant intergenerational dialogue about the politics of love, the performance of romance, and the transformative power of queer eroticism.

My Romantic Ideal is not just an exhibition of photography, but a declaration of the many ways we, as queer artists, claim and redefine love—on our own terms, with all its contradictions, joys, and struggles.

My Romantic Ideal

A Queer Photography exhibition curated by Slava Mogutin

May 1 – August 31, 2025

Bureau of General Services—Queer Division
Room 210 of The LGBT Community Center
208 W 13th Street
NYC 10011


BRAIN SLAVE, a new SUPERM exhibition with Slava Mogutin opens at SETAREH gallery in Berlin!

Brian KennyComment

12.07. – 24.08.2024

Opening reception
Friday, July 12
6–8 pm
The artists will be present
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Schöneberger Ufer 71
10785 Berlin


SETAREH is pleased to present Brain Slave by SUPERM, the dynamic duo of New York based artists Brian Kenny and Slava Mogutin.

Inspired by Nietzsche’s concept of the Übermensch and infused with their shared queer experiences, SUPERM has emerged as a powerful insurgent force at the intersection of art, politics and pop culture, pushing the boundaries of identity, sexuality, and morality. Their work has been showcased in galleries and museums worldwide, including New York, Los Angeles, Houston, Berlin, Paris, Madrid, Ottawa, Oslo, Bergen, and Moscow. Their last Berlin show was New York Underground in collaboration with Rainer Fetting (2005).

Brain Slave features works spanning two decades of their collaboration, including photography, collage, painting, sculpture, and video. This exhibition explores various facets of their oeuvre, both individual and collaborative, capturing the essence of their long-term artistic conversation. Central to their work is the theme of found communality, both actual and imagined. For instance, Mogutin‘s renowned photographic series Suddenly Last Summer (2010), which references Tennessee Williams‘ acclaimed play about homosexuality, lobotomy and cannibalism, captures Kenny and their friends in the wild through saturated double exposures. This series recalls the innovative spirit of Russian avant-garde artists like Alexander Rodchenko and El Lissitzky, who also sought new utopian and futuristic ways of seeing and capturing the world. Another significant piece is their collaborative portfolio Entropy Parade (2011), which serves as a stage for their community of queer protagonists in fantastical and provocative tableaus. Boys dressed in playful costumes are further embellished with collage, graffitied poetry, and comic characters, creating a world where fantasy and reality intertwine.

Recent works by SUPERM continue this exploration of community and expression, particularly in the face of the current politicization and weaponization of gender and sexual identities. Sports motifs often appear in their work, symbolizing another collective space ripe for creative invention. Kenny’s fabric banners, made from recycled sports jerseys, feature bold queer statements and graphic compositions. These updates on classic Pop imagery use stark color contrasts and numerical signs, transforming popular culture into a platform for graphic expression. Sporty themes also permeate their videos, drawings, photo transfers, and fabric banners, with helmets and jockstraps signifying a playful competition. Displayed alongside sketchbooks and ephemera, this survey of their work incorporates a sense of play and community, envisioning worlds of freedom and solidarity against social stigmatization. The exhibition will also debut new work created specifically for this presentation.
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Slava Mogutin, born in Siberia, is a Russian-American multimedia artist, author, and activist exiled from Russia for his outspoken queer writing and activism. A third-generation writer and self-taught photographer, Mogutin was the first Russian granted political asylum in the US on the grounds of homophobic persecution. Mogutin’s work explores displacement, identity, pride, shame, devotion, disaffection, love, and hate. He has authored seven books in Russian, two illustrated poetry collections in English, and five photography monographs published in the US, UK and Germany. Mogutin has been honored with the Andrei Bely Prize for poetry and the Tom of Finland Foundation Award for artistic achievement.

Brian Kenny, born on the US military base in Heidelberg, Germany, is an American multidisciplinary artist and muralist. In 2004, Brian began his ongoing collaboration with Slava Mogutin as SUPERM. Using a variety of mediums, Brian’s artwork is vividly expressionistic and often autobiographical, reflecting personal themes such as queer identity, shifting societal perceptions of gender, sexuality, politics, urban living, and creative experimentation. Brian’s work in fashion includes collaborations with Christian Lacroix, J. Crew, Onitsuka Tiger and Walter Van Beirendonck.

For more info, please visit SETAREH